653 - Multi-Cam Comedies and WGA Dollars

John welcomes writer-director Betsy Thomas (Superior Donuts, Superstore) to finally discuss writing multi-camera sitcoms. Using famous sitcom scripts as guides, they look at how multi-cam sets itself apart through its unique formatting and production, how it utilizes blocking, its surprising limitations in post, and the live studio audience. But Betsy is more than just a talented creative – she’s also the secretary-treasurer of the WGA West. Who better to lead us through the WGA annual report and look at writer income and residuals in the wake of the strike? We also follow up on gains for writing teams and un-locked pages, and answer listener questions on flashbacks, punctation, and untrustworthy producers. In our bonus segment for premium members, Betsy explains to John and Megana what makes golf such a wonderful sport. Links: Betsy Thomas on Wikipedia and IMDb Megana Rao on Twitter and IMDb WGA West Annual Report Writer Earnings Fell $600 Million Due to Strike and Industry Contraction, WGA Says by Gene Maddus for Variety Cheers – “Give Me a Ring Sometime” by Glen and Les Charles Cheers – “Father Knows Last” Night Court – “Pilot” by Dan Rubin Friends – “Pilot” by David Crane & Marta Kauffman What My Adult Autism Diagnosis Finally Explained by Mary HK Choi for The Cut Unstable – Season 2 on Netflix (hooray Megana Rao!) Wicked Little Letters on Netflix Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Gift a Scriptnotes Subscription or treat yourself to a premium subscription! Craig Mazin on Threads and Instagram John August on Threads, Instagram, X and Mastodon Outro by Matthew Chilelli (send us yours!) Scriptnotes is produced by Drew Marquardt, with help this week by Megana Rao. It is edited by Matthew Chilelli. Email us at [email protected] You can download the episode here.