Get Up in the Cool
A podcast by Cameron DeWhitt - Miercuri
462 Episoade
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Episode 82: Erynn Marshall and Carl Jones (A Trip to Dittyville)
Publicat: 21.03.2018 -
Episode 81: Bitter Bloom (Domenica Romagni and Morgan Harris)
Publicat: 14.03.2018 -
Episode 80: Peter Mawanga (Traditional Music from Malawi)
Publicat: 07.03.2018 -
Episode 79: Andy McLeod (A Curated History of Fingerstyle Guitar)
Publicat: 28.02.2018 -
Episode 78: Matt Brown (Fiddler! Educator! Producer!)
Publicat: 21.02.2018 -
Episode 77: Devin Forest-Hines (Easy to Hear, Hard to Play)
Publicat: 14.02.2018 -
Episode 76: Brooks Masten (Banjo Builder)
Publicat: 07.02.2018 -
Episode 75: Jess McIntosh (Suzuki/Crooked Tunes/The Gun Control Ads of Yesteryear)
Publicat: 31.01.2018 -
Episode 74: Ken Perlman (Melodic Clawhammer Banjo)
Publicat: 24.01.2018 -
Episode 73: Charlie Walden (Midwest Fiddling, Old Time Radio, and The Mando Mule)
Publicat: 17.01.2018 -
Episode 72: Scott Mathis and Linda Askew (Music from the Tohono O'odham Nation)
Publicat: 20.12.2017 -
Episode 71: Joel Brown (Folk Punk, Crooked Tunes, and Community)
Publicat: 13.12.2017 -
Episode 70: Chris Dalnodar & Andy McLeod (Live at the Philadelphia Podcast Festival)
Publicat: 06.12.2017 -
Episode 69: Jake Blount and Cameron DeWhitt (Live at John Salmon's House PART II)
Publicat: 29.11.2017 -
Episode 68: Jake Blount and Cameron DeWhitt (Live at John Salmon's House)
Publicat: 22.11.2017 -
Episode 67: Candace Showalter (Rockbridge 2017)
Publicat: 15.11.2017 -
Episode 66: Sasha Hsuczyk and Lyle Werner (Marcus Martin Tunes)
Publicat: 08.11.2017 -
Episode 65: William Seeders Mosheim (Maker of Banjos and Tunes)
Publicat: 01.11.2017 -
Episode 64: Hen's Teeth (Jane Rothfield and Nathan Bontrager)
Publicat: 25.10.2017 -
Episode 63: Hunter Walker (Dulcimer Ambassador)
Publicat: 18.10.2017
Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.
