(in)sight-reading enlightenment/early music podcast
A podcast by Darina Ablogina
67 Episoade
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Reviving the Renaissance with Marc Lewon
Publicat: 30.04.2025 -
London Calling: Inside LIFEM with Chris Butler & Erik Bosgraaf
Publicat: 28.03.2025 -
Pierre Hantaï: Understanding a Genius
Publicat: 03.02.2025 -
Behind the Curtain: Kenneth Zammit Tabona on Early Music and Festival Crafting
Publicat: 26.01.2025 -
Myth of a self-made man/Lila Hajosi (Irini)
Publicat: 31.12.2024 -
Giovanni Antonini: a visionary of our time
Publicat: 20.10.2024 -
Interview with Lucie Horsch, B’Rock and Olga Pashchenko
Publicat: 22.09.2024 -
Motivation to go on stage: Why is it important to be there?
Publicat: 31.08.2024 -
In tribute to the Stockholm Early Music Festival: interview with the artistic director Peter Pontvik
Publicat: 11.07.2024 -
Johann Christoph Friedrich Bach, Werke für Tasteninstrumente with Jermaine Sprosse
Publicat: 28.05.2024 -
The glass bead game of Diversity with Roger Wilson
Publicat: 21.03.2024 -
Stage fright of Clara Schumann and 100 % "no" in job applications
Publicat: 17.03.2024 -
The book "Alte Musik heute" and its creators
Publicat: 05.03.2024 -
Maltese baroque paradise with the Valetta Baroque Festival
Publicat: 30.01.2024 -
Happy new year with Solazzo! Professional burnout: Anna Danilevskaia and the phylosiphic approach to relevant questions
Publicat: 31.12.2023 -
Lucas Debargue: Music is here to disturb us
Publicat: 25.11.2023 -
The genius of collaboration/percussionist Roberto Maqueda
Publicat: 08.10.2023 -
Beethoven's late piano works with Olga Pashchenko
Publicat: 29.09.2023 -
Dina König-the queen of baroque hearts
Publicat: 31.07.2023 -
"There's a room full of people" - What motivates you to go on stage?
Publicat: 26.06.2023
Hello dear friends! Welcome to our brand new podcast dedicated to sight-reading. Why sight-reading? We want to show the behind-the-scenes of music-making. We begin each episode with our initial thoughts on a new score as well as musings about style, aesthetics, and instruments. We challenge ourselves to apply our understanding of historical practices to achieve a more musical reading of a given text. Whether you are amateur musicians looking for tips on sight-reading and insight into historical performance or a seasoned musician, we would be happy if you joined us.
