Oxford Comparative Criticism and Translation (OCCT)
A podcast by Oxford University
39 Episoade
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Translation as Afterlife
Publicat: 24.02.2017 -
“Forgotten Europe”: Translating Marginalised Languages
Publicat: 10.02.2017 -
Between Languages: Working in and out on Translation
Publicat: 30.11.2016 -
Literature Beyond Literary Studies: Intermediality and Interdisciplinarity
Publicat: 01.11.2016 -
Comparative Criticism: What Is It and Why Do We Do It?
Publicat: 19.10.2016 -
Intercultural Literary Practices
Publicat: 09.11.2015 -
Fiction and Other Minds
Publicat: 09.11.2015 -
Extremist Translation and the Deformation Zone
Publicat: 24.07.2015 -
Lunchtime talk with Italian journalist Antonio Armano
Publicat: 23.06.2015 -
Translation and Ekphrasis: Dante and the visual arts
Publicat: 24.02.2015 -
Intercultural Tales
Publicat: 17.02.2015 -
To the Lighthouse
Publicat: 09.02.2015 -
OCCT event - The Creativity of Criticism part four
Publicat: 19.12.2014 -
OCCT event - The Creativity of Criticism part three
Publicat: 19.12.2014 -
OCCT event - The Creativity of Criticism part two
Publicat: 19.12.2014 -
Languages of Criticism - Translation and Comparison part two
Publicat: 17.12.2014 -
Unbuttoning Catullus
Publicat: 01.12.2014 -
Other Worlding
Publicat: 14.11.2014 -
Kirmen Uribe - Reading and in discussion with Daniela Omlor and Xon de Ros
Publicat: 14.11.2014 -
Cultures of Mind-Reading: The Novel and Other Minds - ‘Narrative and/as Heterophenomenology: Modelling Nonhuman Experiences in Storyworlds’
Publicat: 20.09.2014
The discipline of Comparative Literature is changing. Its Eurocentric heritage has been challenged by various formulations of ‘world literature’, while new media and new forms of artistic production are bringing urgency to comparative thinking across literature, film, the visual arts and music. The resulting questions of method are both intellectually compelling and central to the future of the humanities. To confront them, our research programme brings together experts from the disciplines of English, Medieval and Modern Languages, Oriental Studies, and Classics, and draws in collaborators from Music, Visual Art, Film, Philosophy and History.
