Read Between the Wines Podcast
A podcast by Pierre Ferland
68 Episoade
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E50 - Domaine Lafage, Roussillon, France
Publicat: 17.04.2024 -
E49 - Foot Trodden (Wines of Portugal) · Simon Woolf
Publicat: 06.04.2024 -
E48 - Ziraldo Prosecco, Italy
Publicat: 09.02.2024 -
E47 - Xavier Vignon, Rhône Valley, France
Publicat: 23.11.2023 -
E46 - De Long Maps & Charts · Steve De Long
Publicat: 04.11.2023 -
E45 - The Wine Bible · Karen MacNeil, USA
Publicat: 29.11.2022 -
E44 - Versado Winery, Mendoza, Argentina
Publicat: 16.11.2022 -
E43 - Two Sisters Vineyards, Canada
Publicat: 08.12.2021 -
E42 - Windrush Estate Winery, Canada
Publicat: 17.11.2021 -
E41 - Ken Forrester Vineyards, South Africa
Publicat: 14.05.2021 -
E40 - Big Macs and Burgundy · Vanessa Price, USA
Publicat: 29.04.2021 -
E38 - Trialto Wine Group · Richard Dittmar, Canada
Publicat: 01.04.2021 -
E37 - Rosewood Winery, Canada
Publicat: 12.03.2021 -
E36 - 2027 Cellars, Canada
Publicat: 07.03.2021 -
E35 - Noble Estates Wine & Spirits · Craig De Blois, Canada
Publicat: 19.01.2021 -
E34 - Queenston Mile Vineyard, Canada
Publicat: 16.12.2020 -
E33 - Ferox Wines, Canada
Publicat: 18.03.2020 -
E32 - Remy Wines, Oregon, USA
Publicat: 07.03.2020 -
E31 - Donald Ziraldo · The History of Canadian Wine
Publicat: 27.02.2020 -
E30 - Burghundy · Adam Knoerzer, Pittsburgh, USA
Publicat: 14.02.2020
Read Between the Wines Podcast is not really a podcast, it’s a repository of stories from the wine world. It is focused on the narratives behind the winemakers rather than wine scoring. Founded and hosted by Vino-enthusiast Pierre Ferland, it offers a different and refreshing concept in wine exploration. Each episode offers a unique perspective on vineyard’s tales, much like each vintage brings its own profile and personality to a blend. Some conversations will delve into winemaking techniques, while others will explore initiatives to preserve biodiversity and find solutions to combat climate change. From a consumer perspective, we are intrigued by how wine scoring has dominated the industry, leaving many enthusiasts perplexed by its intricacies yet still relying on a solitary number for their selections. We understand and respect the fact that a generous score can help move a few bottles and we won’t hold it against any wineries, but from a vintner and a winemaker perspective, we pose a pivotal question: what legacy do you wish to imprint upon your clientele? A numerical rating, or the compelling tale of your craft? Think about it. What score would you give to the “Mona Lisa” or “The Starry Night” from Van Gogh? About “Composition 8” from Kandinsky or “The Creation of Adam” by Michelangelo. It’s very subjective indeed and so is Pinot Noir from Burgundy, Cabernet Sauvignon from Australia and Riesling from Germany.
